Before you even hear Burning Nitrum’s “Molotov”,
you know it’s going to be good. Thrash band from Italy? Check. Ed Repka cover
art? Check. Signed to Punishment 18 Records? Check. To be fair, not every band
meeting all three of these criteria is the best, but a lot of them are quite
good. Burning Nitrum is definitely a band that holds the flag high for thrash
metal. Their style is certainly nothing groundbreaking, but it doesn’t feel as
derivative of the 80’s as a lot of other modern bands. The band is relatively
talented at writing great riffs, which will always improve the quality of a
record. The songwriting isn’t always the tightest, but the riffs make up for
it. The tempos on this album are relatively varied, switching between heavy
stomping moments to face-melting thrash sections. It would be unfair to
characterize songs as one or the other, because most songs manage to deliver
both sounds well. The occasional acoustic or clean guitar part works its way in, but does not
disrupt the flow of the album.
“Molotov” features a lot of great
individual performances from the members of Burning Nitrum. One of the draws to
this band is vocalist Dave Cillo. His voice actually changes throughout the
record. At the start of the album, he’s a standard thrash singer, with perhaps
a bit of an upper range, but as the album goes on, he’ll break out into these
full on John Connelly (Nuclear Assault) worship parts. It’s pretty astounding how
well he manages to emulate such a unique vocalist, to the point where you think
Connelly himself is doing guest vocals. This is most noticeable in the opening
lyrics of “Lying Until The End”. The other area where a member delivers a
mesmerizing performance is the lead guitar work of Walter Lanotte. There is a
heavy emphasis on shredding on this album, not just in the quality of the
playing but also in the number of solos. Lanotte delivers some incredibly
accomplished solos, which is unbelievable considering he’s only 19.
While the album starts out strong, it
actually is better on the backend. The band saved some of the most assaulting
tracks for last. The one-two punch of “Slave of Lust” and “Sparkling Splatter”
is certainly the most enjoyable part of the album. The former song is an
exercise in downpicking that would make even James Hetfield’s arm sore. These
tracks are followed up with a lengthy instrumental that again shows how well
the band can create riffs. The riffs are often in the Exodus vein (then again,
what thrash bands aren’t playing Exodus riffs?), but it doesn’t feel like they’re
borrowing riffs from anyone.
“Molotov” is an impressive effort, which
shows that even though mainstream support for thrash may be dying again, the
bands are not! As long as there are denim vest-wearing thrash kids from Italy,
we will great music to enjoy. While Burning Nitrum will not win over anyone who
isn’t a fan of thrash, the band doesn't set out to do that. This is an album that
will bring out the inner Paul Baloff in everyone, so be sure to check it out if
you’re a thrash fanatic!
Highlights
"Slave of Lust"
"Sparkling Splatter"
"Nemesis, The Death Star"
Final Rating
4.2/5 or 84%.
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