With each new Edguy album over the past 8 or so years comes
the claim from vocalist Tobias Sammet that this one is heavier, faster, and
better than the last one, as well as a return to the band’s roots. Objectively
speaking, he’s been wrong about those albums being heavier or faster. Whether
or not they’re better is up for debate, but I, alongside many other Edguy fans,
would say “Tinnitus Sanctus” and “Age of the Joker” were not the band’s best
work, despite having some great songs. The good news is that “Space Police –
Defenders of the Crown” is by far the band’s heaviest and faster album since at
least “Rocket Ride”, and possibly even “Hellfire Club”. More importantly
however, this album feels like Tobi put as much effort into it as he does into
Avantasia. The Avantasia records from 2008 and onwards are not stylistically
all that different from Edguy’s recent output; the band has interspersed small
amounts of power metal alongside more straight forward traditional heavy metal
and hard rock. For some reason though, these Avantasia records tend to be a lot
more compelling than the Edguy ones from the same timeframe. Nevertheless, the
band is back on track with this album, as the beginning shows.
Opening up with “Sabre & Torch”, the band unleashes a
“Mysteria”-esque riff that eventually gets pretty heavy. This track is upbeat
and makes for a great sing-along chorus. Tobi does sound a bit tired on this
track, making me wonder if he’s overworked given the sheer number of releases
and tours he does, but his vocals actually sound a lot better on the rest of
the album. This is most noticeable in some of the more laid-back tracks, such
as “Do Me Like A Caveman”, which has a chorus that sounds like it was written
in the same sessions as “Angel of Babylon” and “The Wicked Symphony”. It’s
quite simple, but catchy nonetheless. In fact, it is memorability that is a big
factor in separating “Space Police – Defenders of the Crown” from the other
recent Edguy albums. Both title tracks have infectiously catchy choruses. The
buildups to the choruses are well done, and culminate in fantastic sing-along
moments. In fact, the latter title track brings back the “whoa-oh” sections
that so many power metal bands have abandoned in recent years. It is these
moments that make this style of music so much fun, and it is great to see them
return.
Of course, what would an Edguy album be without something
weird? The first of these strange moments is the alien sound effects on “Space
Police”. This is annoying at first, but ends up improving the strength of the
choruses that bookend it. The next head-scratcher is the cover of Falco’s “Rock
Me Amadeus”. This song has some hip-hop/rap influenced sections, but again,
those are easily ignorable due to the grandeur of the chorus. It’s easy to see
how this track would be a turn-off to most metal fans, but perhaps my love for
Edguy is blinding me as I actually really enjoy the song now.
The single on this record is “Love Tyger”, and it is
certainly one of the tracks that harkens back to the sound of the last couple
of records. It has a large glam influence, as it strives to be a fun song with
a lot of energy. In the context of the album, having one song like this is
actually a nice change of pace. And to vary up the rhythm of the album even
more, the very next track, “The Realms of Baba Yaga”, is the speediest most
old-school sounding song on the album. Don’t let the strange title fool you; this
is Edguy playing some serious metal, complete with double bass, soaring
vocals, and a shredding guitar solo. "Shadow Eaters" is stylistically similar, and is also likely to be a fan favourite.
Despite how impressive this record is, it does lose a bit of
steam near the end. “The Eternal Wayfarer” is much in
the vein of the tracks on the first half of the record, but is not quite as
inspired as those early songs. The lone ballad, “Alone In Myself”, is the only
song that is not particularly enthralling, as it doesn’t bring back the
memorability of “Forever” or “Scarlet Rose”. For this reason, I’d suggest
buying the special edition of the album, as it features another highlight: “England”.
This song is pure Iron Maiden worship, literally. This track is actually a
pretty catchy slow number, but it is the hilarious lyrics that make it even
better.
“Space Police – Defenders of the Crown” is Edguy’s best
record is a decade. The problem with most power metal bands that slowed down
was never the fact that they mostly stopped playing power metal; it was that
the music just wasn’t as good anymore. On this album, Edguy prove that when you
bring back the high quality songwriting, this style of metal is just as awesome
as the old stuff!
Highlights
"Space Police"
"Defenders Of The Crown"
"The Realms Of Baba Yaga"
"Do Me Like A Caveman"
Final Rating
4.75/5 or 95%.
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