The magnificent vocal performance of
Italy’s Alessandro Conti in Luca Turilli’s Rhapsody has brought much more
attention to the singer’s other project: Trick or Treat. This band predates the
new version of Rhapsody that Conti sings in, but has been largely silent (from
a studio perspective) since he joined that band. Fortunately, however, Trick or
Treat has returned in 2016 with a new studio album: “Rabbits’ Hill Pt. 2”. This
release is an excellent, diverse offering of power metal that differs
significantly from Conti’s other band. If the band’s name didn’t give it away,
Helloween appears to be a primary influence on this record, particularly on
songs like “Inle’ (The Black Rabbit of Death)” and “The Showdown”, where Conti’s
voice takes after some of the classic vocal lines that Kiske unleashed in the
1980s. The band’s guitarists similarly offer up shredding licks and leads that
rival the Weikath/Hansen combo at its best.
Despite that, however, there is much more
to “Rabbits’ Hill Pt. 2” than just Helloween worship. One of the strangest
tracks, “Together Again”, comes early on in the record. It isn’t quite an
interlude, but it is a short, acoustic song. The track never truly gets heavy, and it
does seem a tad strange to be the second song on the album due to how inanely
happy it is, but somehow it works. Following this, there are plenty of
prototypical power metal tracks (“Cloudrider”, “Efrafa”, and “The Great Escape”, which is a major speedster), each of which have their own unique identifying marks on them. The key
reason why these songs are so effective is because of how compelling the vocal
lines are. It doesn’t matter if Conti sings his heart out when the melodies are
unmemorable (as was often a problem on the latest Luca Turilli’s Rhapsody
record), but these songs are immensely catchy. “Cloudrider” in particular is a
major highlight for power metal in 2016.
Before hearing this album for the first
time, one of the primary selling points was the fact that there were 3 guest
stars on the record. Unsurprisingly, the best of these 3 is Tony Kakko’s song,
“United”. Put simply, this man is a vocal master, and he puts on a clinic on
this track. His voice melds perfectly with Conti’s, and this makes you long for
the days when Sonata Arctica was a more pure power metal band. The other two
guest spots were disappointing. After listening to immense amounts of Primal
Fear, I can’t help but feel that Ripper Owens is a poor man’s Ralf Scheepers.
He has the same Rob Halford “scream your lungs out” sound, but he lacks the
control and even the power of Scheepers. For that reason, “They Must Die” would
be much improved with Conti doing all of the vocals. “Never Say Goodbye”,
featuring Sara Squadrani, is essentially a pop song. Her performance is
definitely better than Ripper’s, but again, Conti is so good that it would be
better to either bring in someone that could rival him (like Kakko), or let him
handle everything. With an hour-long album, this record would have been
superior with these two tracks removed, or at least replaced by more typical
Trick or Treat songs.
Though this record does have a lengthy run
time, it is a surprisingly quick hour. Whether it is the harsh vocals that
invade the opening song, or the short, quirky instrumental “Beware The Train”,
there is always something interesting happening on this record. Even the more
traditional power metal songs have melodies that are distinctive. While there are a
couple of flaws on this record, it stands out as being different in the power
metal scene, and that is definitely a good thing. On the whole, “Rabbits’ Hill
Pt. 2” is an impressive offering of power metal, and one that makes excellent
use of the band’s talents, particularly Conti’s!
Highlights
"Cloudrider"
"Efrafa"
"United"
Final Rating
4.3/5 or 86%.
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