Worship bands are somewhat of a touchy
subject in metal. The basic theory behind it makes sense to me: if a band makes
one good album, logically you would want to hear something similar. And why
limit that to one band? If another band can make equally good, but
stylistically similar music, then that should work too. This is where Blazon
Stone comes in, as they are the definitive Running Wild worship band. I will
take things a step further and say that they’re actually better than Running
Wild ever was. They might not have an anthem as good as “Riding The Storm”, but
on the whole, Blazon Stone’s albums tend to hit the mark better for me.
“Down In The Dark” is the band’s third
album in as many years, and fourth overall. It picks up exactly where “War of
the Roses” left off, though this album is slightly more straight forward and
less experimental. It continues to overflow with tremolo-picked riffs that are
perfect for sailing the seven seas, particularly on higher speed tracks like
“Into Victory” and “Eagle Warriors”. Other songs like the title track feature
some more intricate riffing in classic Running Wild fashion. There is
nonetheless good variety in the songwriting, with slower more anthemic efforts
like “Hanged Drawn and Quartered”, as well as the mid-paced “Watery Graves”. Regardless of how fast Blazon
Stone is playing, they always have a huge chorus with many subtle layers of
vocals. Picking a favourite is tough, but tracks like “Down In The Dark” and
“Merciless Pirate King” are contenders for the most infectious choruses. The
latter also has a nice whoa-oh section, which is something Blazon Stone should
definitely consider using more often.
For the first time in the band’s career, “Down
In The Dark” is the first album to feature a returning vocalist. Erik Forsberg
is back for his second record, and while he’s probably the best Blazon Stone
vocalist, they’re all pretty effective at emulating Rock ‘n Rolf. He gives
another solid performance on this record. Though not the most operatic or
versatile, his voice is perfect for this style of music. Surprisingly, he also
rules on the non-pirate themed “Rock Out!”, which is quite possibly the best
track on the album. Ultimately its success comes down to the great riffing,
which is a little more basic heavy metal than elsewhere on the record. The verses have a nice bounce to them that really get the neck moving. This song would be an immediate live hit (if the band ever played live).
Given that all 4 full-lengths are so
similar, it is difficult to compare “Down In The Dark” to some of Blazon Stone’s
prior records. The band abandoned the epic approach they took with the title
track to “War of the Roses”, but it would have been nice to see them cut a
couple of deeper songs on this record and explore something lengthier again.
Relative to “War of the Roses”, “Down In The Dark” doesn’t necessarily reach
the same highs, but is far more consistent, as there really isn’t anything
short of fantastic on this record. It doesn’t really matter if it’s better or
worse than the first three Blazon Stone albums though, because it’s still
better than 90% of Running Wild’s discography, and certainly better than
anything they’ve done in decades!
Highlights
"Into Victory"
"Down In The Dark"
"Hanged Drawn and Quartered"
"Merciless Pirate King"
"Rock Out!"
Final Rating
I appreciate Blazon Stone's existence as much as the next guy but to say that they're better than Running Wild is just plain offensive. Running Wild put together a legendary streak of albums that hallowed classics. Disregarding them in favor of a band that only approximates what they did on a surface level is not only disrespectful but it also shows a severe lack of appreciation. You are of course entitled to your opinion but this review causes me to question your taste and credibility quite frankly.
ReplyDeletewell it is better than RW's new stuff like Rapid Foray
DeleteThat's totally fair, and Running Wild is obviously the more original band, but I've always found them overrated. Under Jolly Roger, Death or Glory, and Masquerade are all amazing, but otherwise, each album only has a handful of really great songs.
DeleteI still like them (even seen them live), but I find myself listening to Blazon Stone more often. For what it's worth, I don't think being the first to do something grants the band an automatic pass. If someone else comes along and does that sound better, then I'd prefer the newer band.