Featuring 2 members of Swedish death metal
legends Nirvana 2002, Under The Church is a band that continues to fly the flag
of the disgusting, HM-2 driven sound that the country is known for. “Rabid
Armageddon” is the band’s first full-length release, and is a stellar album that perfectly encompasses everything that these bands were about in the early
1990s. For one thing, the guitar tone on this album is beyond heavy. It sounds
as if they’ve tuned as low as humanly possible, connected several HM-2 pedals
together (which doesn’t even really make sense), and ran it through their amp’s
distortion channel. Seriously, this sound is not for the faint of heart; it has
some major fuzz to it, making riffs more discernable by their rhythms than the pitches of the notes they contain. Nonetheless, Under The Church manages to write great songs
even though a lot of the guitar parts run together.
The title track is one of the best
examples, as its chorus will make you easily scream along to “Rabid Armageddon”
with easy. Whether it is your first listen of the album or your 10th,
this song remains the easiest to latch on to. Another standout is “Suspended In
Gore”, where lead vocalist Mik Annetts enunciates clearer than anywhere else on
the record so that you can easily hear the carnage he describes. As he delivers
lyrical violence, the band also consistently delivers musical mayhem. There is
not a moment of compromise on this record, as it is filled to the brim with
cavernous, monolithic riffs with no end in sight. The band does experiment
slightly on “Penance”, as much of the song makes use of slower, doomier riffs
that are definitely unexpected, but the result is still immensely heavy. Even though Under The Church does a pretty good
job of writing memorable songs, having this unique section on the record helps
to keep the entire record fresh.
“Rabid Armageddon” has everything an
old-school Swedish death metal fan could ask for. Admittedly, this has never been
my favourite style of death metal, primarily because I felt like there was less
emphasis on songwriting in the Swedish scene than in the Floridian death metal scene,
for example. But Under The Church has no such problem, and they also deliver the
authentic sound as though it were still 1992. Combine this with the absolutely
astounding cover art, and you’ve got a very complete package.
Highlights
"Rabid Armageddon"
"Suspended In Gore"
"Walpurgis Night"
Final Rating
4.0/5 or 80%.
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