Blindeath is another Italian thrash band. Like
many of their peers, this band is relatively new, having only been around for a
few years. They previously released one demo and an EP, and in 2014, put forth
their first full-length effort: “Into The Slaughter”. The general sound on this
release is what you would expect from an Italian thrash band: lots of good
riffs, somewhat distinctive vocals, and plenty of speed. The singing is the
primary differentiating factor here from the legions of Italian thrash bands.
The vocalist for Blindeath is somewhere in between a singer like Paul Baloff
and a more blackened thrash vocalist. In that sense, his vocals are aggressive,
but feel a little sloppy. This isn’t a bad thing; in fact, it really shows a
nice homage to vocalists who take more influence from the rougher side of
metal.
Aside from the riffs, the guitar work is
pretty impressive. Opening track “Blood and Guts” has some extensive soloing,
and, as you might imagine, it is virtuosic without feeling technical. This is
something not contained to this track, as solid guitar work is apparent all
throughout the album. The riffs tend to be largely in the Exodus vein (though
as “Blood In Blood Out” just proved, nobody can even come close to matching
Exodus’ ferocity). Occasionally there is something a bit different, such as the
pinch harmonic abuse in “Murdered By The Beast”. Nevertheless, if you are
seeking innovative riffing on “Into The Slaughter”, you won’t really find it.
That statement applies equally to the songwriting as well. In fact, as much as
it will pain some people to hear it, the best songs on this release are the two
mosh anthems: “Moshing Maniax” and “Welcome To The Thrash Party”. These songs
provide a feast of riffs and headbanging material that is sure to please
thrashers (though to be fair, that applies to every song here; these two tracks just do it best).
As you may have guessed, this album does
not reinvent the wheel. While not sounding identical to any other specific
Italian thrash band, one can’t help but feel tired out by this point. This
scene is so deep, and, with few exceptions, it feels like they all set out to
make standard thrash. There’s nothing wrong with that of course, but it’s hard
to recommend listening to this many thrash records from Italy, even if you’re
as keen on the subgenre as I am. All the elements are here (even the
enthusiasm), but unfortunately this album still feels a bit redundant.
Highlights
"Moshing Maniax"
"Welcome To The Thrash Party"
Final Rating
3.5/5 or 70%.
No comments:
Post a Comment