Cannibal Corpse often gets referred to as
the Motorhead or AC/DC of death metal, but that description is somewhat unfair
to the band. As great as both of the aforementioned groups are, Cannibal Corpse
managed to be equally consistent, but also more unique with each record. Sure, every album this
band has put out sounds definitively like Cannibal Corpse, but for a long time,
their releases continued to have an individually identifiable feel to them. Even when they really
started to settle into a predictable and comfortable sound with “Kill” and
“Evisceration Plague”, they then went out and hit a home run with “Torture”,
writing some of the catchiest and most brilliant death metal songs ever.
From there, the band’s path has been less
clear. Truthfully, “A Skeletal Domain” was not the pinnacle of their
creativity. It wasn’t bad, but it was the album where the band definitely got a
little too comfortable. In many respects, their newest record, “Red Before
Black”, is quite similar. The band brought back Erik Rutan to produce the
album, but didn’t re-elevate their songwriting to the level of “Torture”. This
doesn’t mean “Red Before Black” is a weak effort though. It’s a competent
Cannibal Corpse album with a handful of truly potent songs. Of the 12 tracks,
each of the first 7 manages to stand out in some way (something that could not
be said about the previous release). Both the “Only One Will Die” and the title
track come to mind as some of the more brutal, high-speed efforts, recalling straight forward thrashings like “Demented Aggression” or “Devoured By
Vermin”.
Cannibal Corpse is somewhat
multi-dimensional for a death metal band though. The obligatory crushingly
heavy song comes in the form of “Code of the Slashers”. Again, it doesn’t quite
live up to the standard of “Scourge of Iron”, but to the song’s credit, it does
later increase the tempo to more appropriate speeds. The band’s technical side
seems somewhat restrained this time around, but “Firestorm Vengeance” is the
best example. It reminds strongly of “Intestinal Crank” with its offbeat time
signatures in the chorus. Yet another dimension of the band is their ability to
get dissonant in a melodic way. This album’s contribution to that side of the
band is “Shedding My Human Skin”, which lets some notes ring out in its chorus
to great effect.
From an individual performance standpoint, “Red
Before Black” is on par with its predecessors. Paul’s drumming continues to
take a thrashy approach, opting for limited, yet effective blast beats. Though
the album as a whole might not be overly technical, the rhythms that both
guitarists and Alex are playing are still off the charts in terms of difficulty
and speed. The only member who is slightly different on this record is
Corpsegrinder, who has somewhat of a raspier quality to his delivery. His
enunciation is still fairly strong, but not quite as clear as in the past. He
also doesn’t seem to do as many high-pitched screams on this record, which is
not necessarily a problem. Overall, he’s by no means declining, but definitely
sounds a little different.
Up to this point, it seems like mostly
positives on “Red Before Black”, but side 2 of the record isn’t as strong. It’s
certainly not bad, and is very consistent with the band’s work to date, but it
fails to stand out. Modern-day Cannibal Corpse is at their best when unleashing
catchy choruses (a seemingly impossible task for many of the band’s peers), but
the latter half of “Red Before Black” doesn’t aim to do that. Some will undoubtedly
prefer this, but it’s not quite what I hope for from the band. At the end of
the day, it’s Cannibal Corpse, and if you like them, that’s reason enough to
auto-purchase their new album!
Highlights
"Red Before Black"
"Shedding My Human Skin"
"Firestorm Vengeance"
"Heads Shoveled Off"
Final Rating
4.4/5 or 88%.