Extravasion – Origins of Magma

Amongst the flurry of new thrash bands, one country that has struggled to keep up is France. There is a never-ending list of great bands from the UK, Italy, Germany, Sweden, and even Norway, but much like in the 1980s, it seems like France has once again fallen behind. Fortunately, however, this is where Extravasion comes in. “Origins of Magma” is their debut release, and offers a predictable set of thrashing tunes, with the occasional technical edge. The playing is speedy, yet remains tight, while the production also is extremely competent. It’s clear that this is a newer release because of its sound, but doesn’t feel as overproduced as some of the sonic perfection occurring in many other thrash bands.

Extravasion takes a somewhat unique angle in modern thrash because their technicality comes in a different form from many of their peers. Copying Voivod and Coroner (among others) is all the rage right now, but Extravasion is almost like a slightly subdued version of Forbidden or Heathen. They primarily use melody rather than dissonance to showcase their skills, but they never let it get in the way of writing a rock-solid track. Sometimes things feel a little disjointed, whether in the riffing or the vocals, but Extravasion rarely veers off track. The moments on “Origins of Magma” that do fail are the two spoken sections (the intro to “Bankster” and the two minute outro, which is totally in French and won’t be understood by most listeners). I appreciate comedy and thrash go together incredibly well, but it doesn’t quite work for Extravasion.

As noted above, this record features strong similarities to some of the semi-technical bands of the 1980s, but where Extravasion differs is in their vocal approach. Their singer has a much more aggressive, raspier sound. This still works well because the band delivers plenty of immensely heavy riffs; though they use melody, it isn’t their only focus. The end result for “Origins of Magma” is that it is a well-constructed album. It does have the occasional fault, and it certainly isn’t earth-shatteringly good, but any thrash fan should find plenty to enjoy on this release.  

Be sure to check out and like Extravasion on Facebook!

Highlights

"Origins of Magma"

"Consume"

Final Rating

3.9/5 or 78%. 

Written by Scott

Mortal Scepter – As Time Sharpens The Sentence

Just a year after putting out a killer black/thrash demo, France’s Mortal Scepter has signed with Unspeakable Axe Records to release their first EP, entitled “As Time Sharpens The Sentence”. This EP is an excellent embodiment of what makes this dark style of thrash great, as it delivers both riffs and atmosphere with incredible consistency. Take the title song for example, where Mortal Scepter makes use of the trademark black/thrash ride cymbal abuse as they unleash crawling riffs that make significant use of the fretboard. Shortly after this, the first verse begins, and the riff underneath is so potent that you almost forget that the vocalist is singing. This is quite possibly the most enticing section of the entire record simply because the riff is so active, and perfectly compliments the insanity of the band’s vocal approach.

As you might imagine, the band’s singer, offers a more brutal take with his snarls. Paying great homage to early black metal, his singing is raspy and cavernous, and with the right amount of effort from the listener, can occasionally be understood. He also incorporates his take on those Schmier-esque high-pitched screams on more than a few occasions. Even though his voice is very serviceable, it truly is the music that makes “As Time Sharpens The Sentence” so great. A song like “Execution Symphony” shows the band firing on all cylinders; the double bass that opens the track is immensely powerful, and is the driving force of this track, which spends most of its time firing off uptempo riffs. Much to the delight of 4 and 5-stringers everywhere, this song also has a superb bass presence; Mortal Scepter’s bass player is unleashing all sorts of interesting lines that stand out even amongst the madness of the guitars. This track as a whole exemplifies the EP: fantastic performances all around with maniacal riffs and an insanely tight rhythm section. Though the band makes use of many black/thrash tropes, they don’t rely on any one in particular, and instead look to great songwriting to keep you coming back to this release.

And then there’s the Destruction cover. It is my opinion that “Sentence of Death” is the best black/thrash release in history, and “Total Desaster” is also deserving of the title of best black/thrash song ever. The reality is, nobody is going to do this song justice. That’s not a shot at Mortal Scepter; the simple fact is that it is impossible to recapture the energy that Destruction had on that original recording. But Mortal Scepter does a pretty decent job. This style of music has certainly evolved since 1984, and the band manages to make “Total Desaster” sound more like one of their songs than you might otherwise expect. 

“As Time Sharpens The Sentence” is an impressive offering of black/thrash that shows Mortal Scepter can stand up against any band in the subgenre. They’ve nailed the production on this EP, and the songwriting is also strong (though I wouldn’t mind seeing the band taking a stab at shorter, more concise songs). Overall, this release is yet another must-own from Unspeakable Axe Records!

Be sure to check out and like Mortal Scepter on Facebook!

Highlights

"As Time Sharpens The Sentence"

"Execution Symphony"

Final Rating

4.3/5 or 86%. 

Written by Scott